Glassery
2022 12 03
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I bet you're wondering "Lonita, why do you have all this glass? What's it all for, man?"
I work with watercolours on paper, so it's better to work on a surface that is not absorbent or porous, because it helps keep the back of the paper wet, which helps to keep lower weight papers from buckling.
The smaller pieces are actually a cheap set sold as cutting boards that I can tape paper to and move around more easily than one can a large wooden board. The large piece is a wall-mountable glass white board (that can take rare earth magnets). It's handy for working on larger papers.
The 16x20 inch glass board is also handy as a surface to place gel plates on.
All of them also work as palettes for watercolour, acrylic, and ink.
Pen present for scale reference.